Paintings featured on Lost At E Minor
New paintings are on view at the beautiful Corey Daniels Gallery in Wells through the summer-- read more about his space here:
http://www.nytimes.com/2010/03
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http://www.nytimes.com/2010/03
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New Studio!
I've recently relocated to the fourth floor of The Artist Studio, and am welcoming visitors!
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Summer Salon Group Show
Group Show at 511 Gallery in Lake Placid
Part of the Suspension series will be on view in "Science and Nature", running from March 6 - May 15 at 511's Lake Placid location
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Dogs, Cats, Parakeets, a Moleskin, and The Squirm Test
Works on view at 30 Romasco Studios
Opening Reception: Saturday December 6th, 2pm - 9pm
Gallery hours: December 7th - 12th, 4pm-7pm
30 Romasco Ln., Portland, ME
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Opening Reception: Saturday December 6th, 2pm - 9pm
Gallery hours: December 7th - 12th, 4pm-7pm
30 Romasco Ln., Portland, ME
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"He's One of Our Folks" soundslide at the Portland Press Herald
June 27, 2008: Predictable Rooms (What to Forgo)
Date: Friday, June 27, 2008
Time: 8:00pm - 10:00pm
Location: Interart Theater Annex
Street: 500 52nd street near w 10th. 2nd floor.
City/Town: New York, NY
A new play written by Julia Barry and Annie Larmon, "Predictable Rooms" follows the lives of four shut-ins as they navigate their way through the confines of their towering communist block apartment building.
What will the mind and body forgo in a building where nothing ever changes, everyone has the same name, and the only signs of life are the flickering televisions from the neighboring buildings?
In addition to original music and photo projections, "Predictable Rooms" is complete with the poetry of Daniil Kharms, Rimbaud, and the music of NAS, N.W.A. and Rimsky-Korsakov.
Please Join Godfrey's Peg Productions on June 27th and get trapped in the inexplicable thrill of the mundane.
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Time: 8:00pm - 10:00pm
Location: Interart Theater Annex
Street: 500 52nd street near w 10th. 2nd floor.
City/Town: New York, NY
A new play written by Julia Barry and Annie Larmon, "Predictable Rooms" follows the lives of four shut-ins as they navigate their way through the confines of their towering communist block apartment building.
What will the mind and body forgo in a building where nothing ever changes, everyone has the same name, and the only signs of life are the flickering televisions from the neighboring buildings?
In addition to original music and photo projections, "Predictable Rooms" is complete with the poetry of Daniil Kharms, Rimbaud, and the music of NAS, N.W.A. and Rimsky-Korsakov.
Please Join Godfrey's Peg Productions on June 27th and get trapped in the inexplicable thrill of the mundane.
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April 2008 ARTnews
'Fresh Kill'
511
If the three artists in this show, "Fresh Kill," aimed to expose the violence in our society, they hit the mark. Perhaps none did so more than Annie Larmon, with her expressionistic oil-on-canvas depictions of deer carcasses, often in boldly colored settings. In Suspension III (2007), the male animal's slit body and viscera stretch before us, white its faintly outlined head is lifted and turned to avert our gaze. In Suspension IV (2007), two orange walls and a black one, against which a deer hangs, enclose a narrow room with greenish blue floorboards; a transparent pool of red sits at the edge of the canvas. The unsettling effect of the receding perspective and intense colors is not unlike that of one of van Gogh's bed-room portraits...
(excerpt of ARTnews article by Sandra Ban)
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511
If the three artists in this show, "Fresh Kill," aimed to expose the violence in our society, they hit the mark. Perhaps none did so more than Annie Larmon, with her expressionistic oil-on-canvas depictions of deer carcasses, often in boldly colored settings. In Suspension III (2007), the male animal's slit body and viscera stretch before us, white its faintly outlined head is lifted and turned to avert our gaze. In Suspension IV (2007), two orange walls and a black one, against which a deer hangs, enclose a narrow room with greenish blue floorboards; a transparent pool of red sits at the edge of the canvas. The unsettling effect of the receding perspective and intense colors is not unlike that of one of van Gogh's bed-room portraits...
(excerpt of ARTnews article by Sandra Ban)
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